Eeram movie review - a stylish thriller movie!!!
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about Eeram tamil movie
Director Shankar’s sharp acumen in supporting quality content through ‘S Pictures’ comes to the fore once again in Eeram directed by debutant Arivazhagan. Although paranormal subjects are not something new, the narrative style, technical wizardry and the brilliant camera work give Eeram, the real eerie experience.
story of Eeram movie
Aadhi and Sindhu Menon are in love and when Aadhi asks Sindhu’s hand in marriage, Sindhu’s dad agrees but Aadhi’s aspirations to become a police officer stand in the way. And the couple drifts away with a lot of heartache. After a while Sindhu gets married to Nandha and starts a normal life in an apartment complex. A deliberate lie by Nandha to find out if his wife had an earlier love affair results in Sindhu revealing her past innocently which sows the seed of doubt in Nandha’s mind and her murder later on. The subsequent murders of many people responsible directly and indirectly for Sindhu’s death by her spirit take the audience on a thrilling rollercoaster ride which forms the rest of Eeram.
Eeram review by behindwoods
Eeram once again reiterates that content is the hero and scores well. Aadhi fits perfectly in the role of an ACP but somehow romance does not seem to be his cup of tea. Other cast members have understood their roles and have delivered right.
It is hard to believe that this is the first outing of Arivazhagan who has neatly crafted this thrill caper. Even though Eeram moves a tad slow, it does not put brakes in the flow of content anywhere.
Camera which is very crucial for such themes has been handled excellently by Manoj Paramahansa. The scene where water in the kitchen sink stops flowing and abruptly gushes out and the power that suddenly surges, though expected, make the audience’s heart pound rapidly. In a similar vein, when Nandha’s friend Sreenath, struck by Sindhu’s ghost returns home completely haggard only to be further frightened by an innocent prank of his daughter in a mask ups the fear as well as comedy quotient. In the theatre toilet, where Aadhi is on a trail of one of the suspects, special effects, cinematography and director’s intelligence are par excellence. Music by Thaman is an additional asset to Eeram.
People who love thrillers are sure to lap Eeram up.
Eeram movie review by samay
'Eeram' means dampness. The young director Arivazhagan has come with an excellent and unfamiliar script.
The Tamil movie 'Eeram' is brilliantly blended with crime thriller and taste of horror in one flick.
The movie was produced under the banner of S Pictures by Producer Shankar.
The young director Arivazhagan deserves praise for justifying the title Eeram through out the movie. The use of word dampness in the script and camerawork is superb.
The movie starts with crime and ends with horror thriller. In the beginning, actor Aadhi (Vasudevan), who plays a character of police officials, takes up the murder case of Ramya (Sindhu Menon). Initially it looks like a suicide case but as the investigation begins, Vasudevan sniffs some foul play.
Ramya's husband Bala, a character played by Nandha, surfaces as prime suspect in the case. But serial murders in the apartments made the mystery complicated.
The director has used the flashback as major component in the case. It reveals that Vasudevan was Ramya's lover a few years ago. And the findings of the case are shocking.
The director has successfully used the dialogues to create suspense and thriller.
Movie runs successfully in the first half but it becomes slow after intermission. Last one hour is full of suspense and horror.
All the characters of the movie are good. Besides some flaws during investigation, the 'Eeram' is fresh and unique script produced by the Tamil Cinema history.
Eeram movie review by indiaglitz
The producer in director Shankar is known for spotting the right talent. In ‘Eeram’, he has brought out the filmmaker in his former-associate Arivazhagan. S Pictures, which has made a name for churning out movies on different genre, has dared to deliver an eerie thriller, which is a rarity in Tamil cinema.
Arivazhagan, quiet like his mentor, has come out with a movie that has gripping screenplay coupled with good use of technology. What starts as a crime thriller takes twists and turns to end up as a horror show.
The debutant director has been assisted by a young brigade of technicians and lesser known star cast. ‘Eeram’ lives up to its theme- all is wet and watery in the film from the first frame till the last.
Making a seat-edge thriller on super-natural elements is no easy task. It has to be logical. The young filmmaker takes the responsibility on his shoulder and lives up to the reputation entrusted on him by his mentor.
The movie revolves around Ramya (Sindhu Menon). She is found dead in a bathtub at her posh apartment. Vasu (Aadhi), a top cop takes the responsibility of investigating the death. He suspects foul play in the incident.
He enquires Bala (Nandaa), Ramya’s husband and several other neighbours. However, he is yet to make progress in the case. An interesting flashback reveals that Vasu and Ramya were lovers in Trichy.
They estrange after Ramya’s father (Rajasekar) refuses for their marriage. Meanwhile, four murders take place in the apartment complex where Ramya lived. Vasu gets the shock of his life during the investigation. Revealing more on the story would take away the suspense element. Watch the movie to know what happened next.
Aadhi, who played a rustic youth in ‘Mirugam’, plays a suave cop. With the image makeover, he fits the bill well. Reminding a blend of Suriya of ‘Kaakha Kaakha’ and Vikram in ‘Sami’, Aadhi promises a lot.
Sindhu Menon plays a timid wife. She lends credibility to her role with expressive eyes and neat portrayal. Nandaa, who hitherto played a romantic youth, dons a different role. He deserves appreciation for taking the guts to do it.
The rest of the cast including actor-director Srinath, Saranya Mohan and Lakshmi Ramakrishnan have performed well. The young music composer Thaman (introduced as an actor in Shankar’s ‘Boys’), has come up with soul-stirring music. Visual effects are the USP in the film and it manages to create an element of suspense among the audience.
The scene-stealer however is cinematographer Manoj Paramahamsa, who does his lens do all the talking. He has captured the whole movie on a different colour tone as water finds a place in almost all the sequences, quiet appropriate to the title.
Arivazhagan seems to have begun a journey which would go long and long. However, the second-half seems to be a bit draggy needing immediate chopping of few scenes. Shankar has once again proved that all hopes are not lost in Tamil cinema. Cheers to ‘Eeram’ team.
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